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A Canadian1 cross-compiler build is one where the build, host, and target machines are all different. You probably aren t configuring the compiler to run on anything other than an x86 Linux host, but you may need to support development groups running on Windows or Mac OS and want to build the software on a Linux host. It s possible that the build is running an a 64-bit Linux host, producing a compiler that runs on a 32-bit host that generates code for an ARM processor, so it pays to understand the mechanics of cross-building. The notion of a Canadian cross-build is generally reserved for compiler building. For most other projects, the build and host machines are equal, and only the target changes.

But wait can t you do all of this by making a feathered selection that covers the shadowed area, then using one of the brightness/contrast tools to make the area brighter Sure! In fact, by selecting and using brightness tools you ll have more control: you can use a tool such as Curves or Levels to brighten just the way you want And if you use the QuickMask to define the selection, you can have full control over how much brightening happens and where, by making the selection more transparent in areas where you want the effect to be less pronounced But all that takes time Dodging is a shortcut a quick way to brighten small dark areas, especially areas that are hard to select It can be a lot quicker and often it s good enough..

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Building open source software like the toolchain involves using a piece of software called Autoconf. This software (which itself is quite complex) creates a make file after running a script called configure that inspects the system where the build occurs. When running configure, you pass in parameters describing how to build the software for which the configure script can t use a reasonable default. Some of the most confusing parameters passed into configure are the values for host, target, and build. These parameters are called configuration names, or triplets, despite the fact that they now contain four parts. When you re building a toolchain, the triplet describing the target machine is the four-part variety: for example, arm-none-linux-gnueabi. This unwieldy string prefixes the name of the toolchain executables so it s clear what the cross-compiler is targeting. It s possible to change this prefix, but the best practice is to leave it be. Table 6-2 shows a breakdown of the different parts of the configuration name.

Burning is the opposite of dodging it makes light areas darker. Unfortunately, it s more difficult to use. The problem In digital photographs, bright areas are often so blown out that there really isn t any detail left. The camera s electronics have reached their saturation point, and all they can do is record white. When you use the Burn tool on areas that are completely white, all it can do is turn them gray, since it has no way to tell what colors or textures should be there. That means that the Burn tool is best used on fairly small areas, or on areas that are only a little too bright rather than completely white. If you use it on a large white area, you ll end up with a large gray area, which will be surprisingly noticeable. But if you burn small spots of brightness, you can make them detract less from the subject of the photo. For instance, in Figure 6-3 the glints off the water aren t adding anything to the image. All they do is distract from the subject and lead the eye away from the geese. The Burn tool can help.

Failed to record on the local platform Unsupported codec Unsupported format Error occurred during streaming to a remote server An invalid property/attribute setting caused a problem with the recording request Recording was attempted after a disconnect

This describes a certain parliamentary configuration in Ottawa. I had a Canadian buddy explain what this meant, but I lost interest after about the first 30 seconds and pretended to listen for the remaining time before excusing myself to use the bathroom. Canadian politics aren t as interesting as I expected.

Figure 6-3. The glints off the water distract from the geese. When using Burn, it s especially helpful to open a second view, like you did in 4 when you were drawing: View New View. That way, you can see the effect of your changes in the full image, even while you work with a nice zoomed-in view.

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